furthermore (1999)

Solo Dance

Jan 3

Andrew Burashko and I often included a piano work for him to perform without any dance, and for some of our concerts in the late 90s he had chosen Piano Music No. 2 by John Cage. For this particular composition, Cage had employed the chance procedure of taking flaws in the manuscript paper on which he was notating and assigning them musical notes, some of which would be played on the keyboard, and some by striking or plucking the string directly, reaching inside piano. This piece therefore required that the musician stand at the piano in order to be able to play both the keyboard and the strings simultaneously, while also shifting their weight to extend a leg to work the pedals that sustain or dampen notes. I found the movements required of Andrew quite beautiful, and highly choreographic.

In the fall of 1999 Andrew presented his first recital program for a new music performance initiative under his artistic direction, Art of Time Ensemble. Contemporary music by Americans John Cage, Peter Lieberson, George Crumb, Sebastian Currier ,and George Gershwin was brought together in a program titled Fascinatin’ Rhythms. Along with Andrew, the stellar musicians on the program included Steve Dann (viola), Beverley Johnston (percussion), Barbara Hannigan (soprano), and Joel Quarrington (double bass). I danced to Cage’s Piano Music No. 2, and my choreography was an elaboration on Andrew’s actions so that the work became both a piano solo and a movement duet. I titled the premiere and, moreover, and later renamed it furthermore, though I can no longer imagine why I thought it needed to be changed… PB