Aleatoric Duet No. 1 (2011)
Nova Bhattacharya and I shared an on-going exchange around solo practice, initiated in 2000 by the impact of seeing her perform her stunning solo Maskura. She commissioned Map of the Known World from me in 2002, and that same year I passed on Sanctum – an early solo of mine – to Nova with her collaborative partner, musician Ed Hanley. Invited by curator Sara Palmieri to share a concert at the Centre for the Arts at Brock University, St. Catharines, Nova and I took the opportunity to perform a duet extrapolating on the organizing principles used for Aleatoria.
Every dancer carries indelible movement memories, and the idea of mining traces of past choreography that reside in the body rather than focusing on the development of new movement material excited me as an opportunity to attend exclusively to elements of composition. Nova focused her attention on the traces of my choreography she held, allowing those movements to change and develop outside of the original choreographic structures from which they had emerged. I dealt with assembling the movement material through rhythmic and spatial counterpoint; orchestration relative to the density of action, shifts in tempo, quality, and relationship. When lighting designer Simon Rossiter came in to watch and makes notes on the choreography, he interpreted each solo as taking place in its own clearly delineated space and made a diagram of two overlapping but offset rectangles. This interpretation – which had not occurred to me – was completely convincing and we decided to amplify this reading of the dance by marking each rectangle with a frame taped onto the floor.
Our concert opened with Maskura, followed by Krishna’s Mouth, Map of the Known World, Strand, and then Aleatoric Duet No. 1. No photographs of the duet exist, but the single shot of Nova and I together in Aleatoria at Nuit Blanche 2010, captured by Omer Yukseker, holds an intimation of our dance. And in the poetry of resonance that so often arises when different art works are brought into conversation in a gallery, a playlist, or a dance concert, the program note that Nova wrote for her opening solo reads, “Maskura is a requiem, offering the hope that what is remembered will never be lost.”
credits
choreography:
Peggy Baker
music:
Ben Grossman
Aleatoric Solo Duets for Electro-Acoustic Hurdy Gurdy
lighting design:
Simon Rossiter
dancers:
Peggy Baker and Nova Bhattacharya
premiere
St. Catharines, Ontario
February 5 & 6, 2011
Sullivan Mahoney Courthouse Theatre
concert title: Whole Wide World
photography
Photo of Nova Bhattacharya and Peggy Baker by Omer Yukseker.