For more information and to learn how to book one of the pieces in our Storytelling Repertoire, please contact Meredith Potter.
a true story (1998) recounts the negotiations concerning role and relationship that arise between a girl and her father’s new wife. Performed in silence and employing both text and movement, a series of episodes cycle through unique iterations before culminating in an unexpected outcome.
Home may be thought of as a dance without steps or a play without words. The choreography distils the essence of character, situation and plot through a strict vocabulary of gesture and body language. Shreds of melody from the folk song Home, Sweet Home emerge and then disappear within the original score by Dick Connette.